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"Locomotive Breath" is not drenched in hiss - but clean and powerful. Riff in "Hymn 43" is just huge now and the quiet lead into The improvement continues on Side 2 withĪmazing clarity on "My God" - especially those acoustic passages. When the guitar kicked in half way through "Mother Goose" - I'llĬonfess to blubbing out a little proggy tear. But for me the real fireworks start with theĭouble combo of the acoustic "Cheap Day Return" with theĪcoustic/rock of "Mother Goose".
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"Cross-Eyed Mary" has superlative bass end now and The track has real muscle and the details leap out at you. Lyrics - the audio quality is in your face, but not in a forced way. Speakers accompanied by the sleazy ".sitting on a park bench." Shot - and even the booklet numbers the pages in Roman numerals in keeping withĮven as the opening riff of "Aqualung" rattles around your The original Chrysalis labels – the DVDs carry the LP cover and inner sleeve Inner gatefold of the original vinyl LP) - the CDs are green in colour as per Other nice touches include the painting-artwork ofīurton Silverman reproduced beneath the front and rear see-through trays (the Another smart move is to keep both DVDs Region 0. – clarity and instruments colliding like a wild dodgem ride on a recording you Heard the Surround 5.1 mix before and listening to it (admittedly on a mate's The flat Stereo transfer just that – flat as a bleeding pancake. I must admit having lived with the Wilson Remaster – I find Separation in the 1974 'Quad Mix' to be utterly bizarre and fascinating at oneĪnd the same time. I've never seen the "Life Is A Long Song" promotional film –īut they've even remixed it with a new stereo soundtrack. Is DVD Audio only while Disc 4 is DVD Audio and Video – but what an array of So someone in the Chrysalis camp has heard those moans. You’re free.A smart move is to have the entire "Life Is A Long Song" EP onĭisc 2 (5 tracks) rather than the three that appeared on the 2011 2CD version.ĭisc 2 now has 16 tracks rather than 14 – and they've included the lyrics too. “Hell yeah I had ‘pre-existing conditions, ‘Beard !”, Neil would laugh if he was here, eyes twinkling, “I’m an alcoholic!” Now those of you who did not know Neil Lasher are probably wondering, “Gee, I wonder if he had any underlying or pre-existing medical conditions?” Over the next half century, Neil would see the ridgetop of fame and fortune, then the lowest valley of substance abuse and despair, and finally the mountaintop of sobriety, spirituality, and serving others.Īfter almost two weeks battling on a respirator, Neil Lasher died of the coronavirus.
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Neil and I were two Buckeyes in Exile, leaving there independently, “runnin’ down a dream” and never looking back. Neil and I were both Northwest Ohio radio deejays in Winter 1972, like two pebbles dropped in the inky black cold still water of some long-abandoned limestone quarry south of Toledo, with the ever-expanding concentric circles rippling out seemingly forever. This edition of In the Studio is fondly dedicated to music industry maven Neil Lasher, who helped to facillitate my relationship with Ian Anderson.
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This is the most highly-detailed oral history of Jethro Tull’s first formative years from the “ Inside” by Ian Anderson that exists anywhere, with some stories he’s never previously revealed, such as why Mick Abrahams exited Jethro Tull after the debut This Was how the late Joe Cocker was involved in Tull’s #1 success with Stand Up in the UK and which member of the band YES wore paper underpants on tour!